| My Heart and the Real World by Broken Gopher Ink |
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| Comedy-Drama (monologues)/ Multiple Characters, 5 actors minimum, 3 Men, 2 Women/ One acts, written in 3 parts to be performed over 3 nights Synopsis: (From the off-off-Broadway Review): "Sketches that can only be described as edgy, dealing with alienation, despair, and loathing (of oneself and others). Which sketches are presented on any given night is decided randomly . . . "Among them were 'Everybody's Trying to Be My Baby,' narrated by a woman who fucked all four Beatles (and their manager/pimp) and fantasizes about the child she had to give up nine months later. While loaded with a narcotized horror on one level (she was 14 when she let herself be led back to the Fab Four's hotel), the piece bubbles with an undertone of humor, pointed up by casual details (the squalor of the hotel suite; one Beatle's bad breath; another's breaking into tears after sex). "Another standout was 'Don't Touch the President's Brain,' a reminiscence by a cleaning woman who happened to be in the emergency room when President Kennedy was brought in after getting shot. The title is a quote from a Secret Service man who tells her off after she accidentally picks up part of Kennedy's brain. "Other [characters] included a deranged Trekkie obsessed with Deanna Troy; a harassing caller who gets children to divulge secrets, and then uses that information in subsequent harassing calls to the parents; and a manic but ultimately depressing attendee at a reunion. Not a straight arrow in the quiver. "The final sketch, a funeral eulogy, has the priest dissing God in ever-more-bitter terms. It sums up the sense of futility that underlies all the sketches' weirdness." |
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