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Dramatists and Drama The Cambridge Guide to American Theatre The Dramatists Sourcebook

The Abbey, Ireland's National Theatre, 1904-1978
by Hugh Hunt
Hardcover
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Aboriginal Voices: Amerindian, Inuit, and Sami Theater (Paj Books)
by Per K. Brask (Editor), William Morgan (Editor)
Hardcover
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American Playwrights, 1880-1945: A Research and Production Sourcebook
by William W. Demastes (Editor)
Hardcover
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Art, Glitter, and Glitz: Mainstream Playwrights and Popular Theatre in 1920s America
by Arthur Gewirtz, James J. Kolb
Hardcover
The theatre and drama of the 1920s was a decade of experimentation and incubation for American playwrights coexisting with a flourishing and vibrant commercial theatre. The volume provides, in 22 essays, provocative, new readings of O'Neill, considerations of other mainstream playwrights, and an extraordinary gamut of articles on the popular theatre of the era.
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The Artistic Home: Discussions With Artistic Directors of America's Institutional Theatres
by Todd London
Paperback
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Asking Around
by David Hare
Paperback
The candid interviews that formed the basis for David Hare's famed trilogy of plays about the state of Britain in the early 1990s. Asking Around is a record of the firsthand documentary research that provided the inspiration and source material for David Hare's trilogy of plays, Racing Demon, Murmuring Judges, and The Absence of War. The trilogy examined the crises that faced three great British institutions -- the Church, the Law, and the Labour Party -- in the lead-up to the 1992 election that saw the Labour Party once again fail to defeat the Conservatives. Conducted over five years, Hare's interviews are composed of informal conversations with a wide range of people -- from unhappy vicars and police officers forced to put down strikes staged by their childhood friends, to judges and MPs -- most of whom reveal a surprising awareness of and cynicism about the principles of their organizations.
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August Wilson and the African-American Odyssey
by Kim Pereira
Paperback
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Banned Plays: Censorship Histories of 125 Stage Dramas
by Dawn B. Sova
Paperback
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Between the Lines
by Judith Rudakoff (Editor), Lynn M. Thomson (Editor)
Paperback
Provides an insider's perspective on aspects of the art of dramaturgy. Included are conversations with Bill Glassco, Urjo Kareda, Maureen Labonte, Peter Hinton, Bob White, Jenny Munday, D.D. Kugler, Mark Bly, Michael Bigelow Dixon, Anne Cattaneo, Morgan Jenness, Shelby Jiggets and Norman Frisch.
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British Playwrights, 1956-1995: A Research and Production Sourcebook
by William W. Demastes (Editor)
Hardcover
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Broadway Babies Say Goodnight: Musicals Then and Now
by Mark Steyn
Hardcover
The New Yorker: "A witty, anecdote-stuffed history of the past seventy years in musicals."
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The Cambridge Companion to British Theatre
by Daniel O'Quinn
Paperback
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The Cambridge Companion to Eugene O'Neill
by Michael Manheim
Paperback
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The Cambridge Companion to George Bernard Shaw
by C. D. Innes
Paperback
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The Cambridge Guide to African and Caribbean Theatre
by Errol Hill, George Woodyard (Editor), Martin Banham
Hardcover
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The Cambridge Guide to American Theatre
by Don B. Wilmeth (Editor), Tice L. Miller Upd Edition
Paperback
Amazon.com Expert Editor's Recommended Book: An updated, corrected and expanded edition of the 1993 hardback, containing more than 2,300 listings for actors, writers, directors, plays, musicals, theatres, theatrical organizations and other must-know stage entries. The book also features some 100 topical features, covering theatre in major U.S. cities and other subjects (such as African American theatre, Hispanic theatre, criticism, costumes, puppets, circus, etc.). A highlight of this indispensable guide is a biographical index of more than 3,000 names.
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The Cambridge Guide to Asian Theatre
by James R. Brandon (Editor)
Hardcover
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The Cambridge Guide to Theater
by Martin Banham (Editor) New Edition
Hardcover
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The Cambridge History of American Theatre: Beginning to Post-Civil War
by Don B. Wilmeth, Christopher Bigsby
Hardcover
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The Cambridge Illustrated History of British Theatre
by Simon Trussler
Hardcover
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Canadian Drama and the Critics
by L. W. Conolly (Editor), D. A. Hadfield (Editor)
Paperback
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Chekhov: Letters About the Theatre
by Carol Rocamora (Translator)
Paperback
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A Comfortable House: Lanford Wilson, Marshall W. Mason and the Circle Repertory Theatre
by Philip Middleton Williams
Hardcover
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Companion to Theatre in Australia
by Philip Parsons (Editor), Victoria Chance (Editor)
Hardcover
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The Concise Oxford Companion to the Theatre
by Peter Found (Editor), Phyllis Hartnoll
2nd Edition
Hardcover
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Contemporary American Playwrights
by C. W. E. Bigsby
Hardcover
In this study Christopher Bigsby explores the works and influences of ten contemporary American playwrights: John Guare, Tina Howe, Tony Kushner, Emily Mann, Richard Nelson, Marsha Norman, David Rabe, Paula Vogel, Wendy Wasserstein, and Lanford Wilson. He examines, in some detail, the developing careers of some of America's most fascinating and original dramatic talent. In addition to well-known works, Bigsby discusses some of the latest plays to reach the stage.
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Dangerous Theatre: The Federal Theatre Project As a Forum for New Plays
by George Kazacoff
Hardcover
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Dramatists and Dramas
by Harold Bloom (Editor)
Paperback
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Drama and Ideology in Modern Israel
by Glenda Abramson
Paperback
Many political plays have been written in Israel over the past fifty years, and they are perceived, by audiences and critics, as major interventions in political debate. In this first full-length study Glenda Abramson shows that Israeli drama has been at the center of public controversies on many topics, including the ethical basis of Zionism, the Arab-Israeli conflict, the wars and the Holocaust. Hanokh Levin, Yehoshua Sobol, Yosef Mundi and Miriam Kainy are among the playwrights examining Zionism as it affects contemporary Israeli society.
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A Documentary History of the African Theatre
by George A. Thompson
Hardcover
Further info or to order The Dramatists Sourcebook: Complete Opportunities for Playwrights, Translators, Composers, Lyricists and Librettists
Paperback
"The essential guide to professional opportunities and playscript procedures."-The Dramatists Guild
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Dumbocracy in America: Studies in the Theatre of Guilt, 1987-1994
by Robert Brustein
Hardcover
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Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim
by Geoffrey Holden Block
Hardcover
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The Encyclopedia of Stage Plays into Film
by John C. Tibbetts, James M. Welsh, John Staniunas (Editor)
Hardcover
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Everything Was Possible: The Birth of the Musical "Follies"
by Ted Chapin
Hardcover
In 1971, college student Ted Chapin was in the right place at the right time. As a production assistant, or gofer, he found himself front row center at the creation of one of the greatest of all Broadway musicals: Follies. And since (as part of a college assignment) he kept a journal of everything he saw and heard, he was able to document–in unprecedented detail–how a musical is actually made.
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The Facts on File Companion to American Drama
by Jackson R. Bryer (Editor), Mary C. Hartig (Editor)
Hardcover
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The Fervent Years: The Group Theatre and the Thirties
by Harold Clurman
Paperback
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The Great American Playwrights on the Screen: A Critical Guide to Film, TV, Video and DVD
by Jerry Roberts
Paperback
The Great American Playwrights on the Screen is a complete, up-to-date record of movie and television productions of classic and contemporary works of the great playwrights. Rich in historical value and detail, this reference book not only tracks Tony Award and Pulitzer Prize winners, but also unearths unheralded treasures and forgotten performances by great actors and the great directors they served.
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Harold Pinter's Politics: A Silence Beyond Echo
by Charles Grimes
Hardcover
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The History of Southern Drama
by Charles S. Watson
Hardcover
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History of the Theatre (10th Edition)
by Oscar G. Brockett & Franklin J. Hildy
Hardcover
Known as the "bible" of theatre history, Brockett and Hildy's History of the Theatre is the most comprehensive and widely used survey of theatre history in the market. This 40th Anniversary Edition retains all of the traditional features that have made History of the Theatre the most successful text of its kind including worldwide coverage, more than 530 photos and illustrations, useful maps, and the expertise of Oscar G. Brockett and Franklin J. Hildy, two of the most widely respected theatre historians in the field. This tenth edition continues to provide the most thorough and accurate assessment of theatre history available and includes contemporary milestones in theatre history.
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Hot Seat: Theater Criticism for the New York Times, 1980- 1993
by Frank Rich
Hardcover
They didn't call him "The Butcher of Broadway" for nothing. With the stroke of a pen, longtime New York Times theater critic Frank Rich could make or break a Broadway show. "Hot Seat" is an encyclopedic collection of his writing, including opening-night reviews of Broadway shows and reflections on the careers of theatrical luminaries.
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Inside the Royal Court Theatre, 1956-1981: Artists Talk
by Gresdna A. Doty, Billy J. Harbin (Editor)
Hardcover
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In the House of Oshugbo: Critical Essays on Wole Soyinka
by Henry Louis, Jr. Gates (Editor)
Hardcover
Wole Soyinka, winner of the Nobel Prize for Literature, is one of the most respected of the modern African playwrights. This collection of essays on his plays, poetry and poetics brings together an international list of drama critics including Richard Gilman, Eric Bentley and Robert Brustein, and such literary figures as Raymond Williams, Toni Morrison, Ishmael Reed and Imamu Baraka.
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In-Yer-Face Theatre: British Drama Today
by Aleks Sierz
Paperback
A definitive look at a brash and provocative genre of contemporary British theater. In the 1990s, British theater audiences were shocked to see blatant portrayals of physical and psychological violence, murder, rape, incest, adultery, drug abuse, and homosexuality onstage. These confrontational and aggressive plays, written by young, honest, and uncompromising playwrights, came to be known as in-yer-face theater. With their use of obscene language, nudity, and even the performance of actual sex acts onstage, the playwrights in this genre intended to force people to think about and question their own desires and impulses.
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The Joint Stock Book: The Making of a Theatre Collective (Methuen Theatrefile)
by Rob Ritchie (Editor)
Paperback
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Millennial Stages: Essays and Reviews 2001-2005
by Robert Brustein
Hardcover
A major figure in the world of theater as critic, playwright, scholar, teacher, director, actor, and producer, Robert Brustein offers a unique perspective on the American stage and its artists. In this wise, witty, and wide-ranging collection of recent writings, Brustein examines crucial issues relating to theater in the post-9/11 years, analyzing specific plays, emerging and established performers, and theatrical production throughout the world. Brustein relates our theater to our society in a manner that reminds us why the performing arts matter.
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The Musical: A Concise History
by Kurt Ganzl
Hardcover
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Opening Nights: 25 Years of the Manhattan Theatre Club
by John W. Pereira
Hardcover
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Orphans' Home: The Voice and Vision of Horton Foote
by Laurin Porter
Hardcover
A Pulitzer Prize-winning playwright, an Emmy-winning television writer, and an Oscar-winning screenwriter of such notable films as To Kill a Mockingbird and Tender Mercies, the amazingly versatile Horton Foote has been a force on the American cultural scene for more than fifty years. By critical consensus, Foote's foremost achievement is the Orphans' Home Cycle-a course of nine independent yet interlocking plays that traces the transformation of a small-town southern orphan, Horace Robedaux, into a husband, father, and patriarch. Drawing on a wide range of sources, including interviews with Foote, Laurin Porter demonstrates why the author's masterpiece is a unique accomplishment not only in his personal oeurve but also in the canon of American drama.
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The Oxford Companion to American Theatre
by Gerald Bordman
Hardcover
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The Oxford Companion to Canadian Theatre
by L.W. Conolly (Editor), Eugene Benson
Hardcover
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The Oxford Companion to the Theatre
by Phyllis Hartnoll (Editor)
Hardcover
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The Oxford Dictionary Of Plays
by Michael Patterson
Hardcover
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The Oxford Illustrated History of Theatre
by John Russell Brown
Paperback
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The Penguin Dictionary of the Theatre
by John Russell Taylor
Paperback
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The Playbill Broadway Yearbook: June 2006-May 2007: Third Annual Edition
by Robert Viagas (Editor)
Hardcover
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Playwrights of Color
by Meg Swanson, Robin Murray
Paperback
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Plays Of Beth Henley: A Critical Study
by Gene A. Plunka
Paperback
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Poetics, Politics And Protest in Arab Theatre: The Bitter Cup And the Holy Rain
by Mas'ud Hamdan
Hardcover
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Right Brain Vacation Photos: New Plays and Production Photographs from the Omaha Magic Theatre 1972 - 1992
by Jo Ann Schmidman, Sora Kimberlain, Megan Terry
Paperback
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She Also Wrote Plays: An International Guide to Women Playwrights from the 10th to the 21st Century
by Susan Croft
Paperback
Looking for plays by women to produce, perform, or read? She Also Wrote Plays is a comprehensive international guide to women playwrights and their work. In an attempt to make visible those who have often been obscured, the entries included herein provide biographical details on over four hundred writers, summaries of their major plays along with a list of other works, and a complete publication history, as well as an extensive, supplemental bibliography. The author, Susan Croft, includes writers whose work demonstrates the diversity and development of dramatic writing in English-speaking countries over the millennia. This diverse collection spans the tenth to the twenty-first centuries; the Americas to the Far East; and covers the works of well-known writers, such as Pulitzer Prize winner Marsha Norman, alongside the lesser-known dramatic adaptations of Jane Austen and Harriet Beecher Stowe and hard-to-find manuscripts, such as the unpublished translations of leading Finnish playwright Hella Wuolijoki. An essential tool for playwrights, performers, producers, and students, She Also Wrote Plays is for anyone interested in the cultural legacy of women in the theatrical world.
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Stage Writers Handbook: A Complete Business Guide for Playwrights, Composers, Lyricists and Librettists
by Dana Singer
Paperback
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State of the Nation
by Michael Billington
Hardcover
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Theatre Directory 2007-2008
by Theatre Communications Group
Paperback
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Theatre Profiles 12: The Illustrated Reference Guide to America's Nonprofit Professional Theatre
by Steven Samuels (Editor)
Paperback
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Understanding Lillian Hellman (Understanding Series)
by Alice Griffin, Geraldine Thorsten
Hardcover
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Unleashing Britain: Theatre Gets Real, 1955-64
by Jim Fowler
Paperback
Re-creating this era of constant flux, author Jim Fowler draws on the London Theatre Museum's rich archive, celebrating a generation that reshaped British culture, including Harold Pinter, Peter Hall, Alan Bennett, Peter Cook, and Dudley Moore. The result is a telling portrait of a key period in modern theater, the influence of which can still be felt around the world.
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Video Versions: A Guide to Plays Available on Video
by Thomas L. Erskine (Editor), et al
Hardcover
Many of our favorite films began as plays -- some as well known as Shakespeare's Romeo and Juliet, and some not so well known as You've Got Mail's origin, a 1937 play Parfumerie by Miklos Laszlo. Video Versions identifies nearly 300 films and their theatrical origins, providing readers with an overview of the films and highlighting similarities and differences to the source plays. Perfect for teachers, students, and anyone interested in theater and film, it is the most complete resource available for video versions of plays.
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Wendy Wasserstein: Dramatizing Women, Their Choices And Their Boundaries
by Gail Ciociola
Paperback
Although Wasserstein calls herself a humanist, her works reflect a political rhetoric, if cloaked in humor, that she herself could not imagine to be anything but feminist. Shaped by literal, cultural, and materialistic feminist theory, Wasserstein illustrates the impact of the women's movement on the lives of her female characters. The five major works, with their near-sequel effect, let us see her characters' college years, mid-twenties, mid-thirties and middle age. Through the use of a newly devised critical context called fem-en(act)ment, or textual or performance drama that is guided by feminist disposition thematically and stylistically, the author here allows for a fresh reading of the Pulitzer Prize–winning playwright.
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Women's Theatre Writing in Victorian Britain
by Katherine Newey
Hardcover
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The World Encyclopedia of Contemporary Theatre: Europe (Vol. 1)
by Don Rubin (Editor)
Hardcover
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The World Encyclopedia of Contemporary Theatre: Americas (Vol 2)
by Don Rubin
Hardcover
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